These instalations ask about the matter of photography. In the first image, Body and Voyeurism, three aluminum instalations of variable dimensions, bulbs, slides and glass, Bogotá, 2003. These instalations invite the spectator to see through a hole, a series of superposed images of women who will suffer a surgery. Here the superpositions act as a metaphor for distort bodies.
In the second one, About looking in Still Life of Albacora and Manteco, 80cm diameter instalation of digital printed image, bulbs, aluminum and acrylic, Cali, 2002. Here, a two dimensional image is forced to go back to its three dimensional original matter.
These instalations question what Regina Silveira's artwork proposed, as she was focused in the artificiality of the codes when representing space, and the conventionalism not only of prespective but also extended to all illusionist representation, including the photographic one.
These instalations question what Regina Silveira's artwork proposed, as she was focused in the artificiality of the codes when representing space, and the conventionalism not only of prespective but also extended to all illusionist representation, including the photographic one.
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