Intervening Bogotá, 10 digital prints of 50x75 cms, Colombia, 2008, radicalizes Wienfried Noth's proposal in Can Images Lie? about photography as a tool for representing the truth so at the same time to lie. In this case exposing different times sharing a single space in the image, expliciting the lie of photographic matter. The experiment of pasting on the walls of cold and industrial capital of Colombia, one natural size image of a naked man in a nudist beach and another of three men, wants to re-create Marc Auge's antropological reflexions about fluent and impersonal spaces and times of our routine transits, giving new significations to the dimensions space and territory in relation to the body.
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