Postcards from Italy, fifty 10x15cms postcards, Fabrica, Benetton’s Research Center, 2007, wants to invert the idea of selling a place through photographic images. Here the intention is precisely the opposite: point to Italy as a strange place where something is out of its place, this is, where the fascism still remains. Cultural variables and political positions here are taken to create meanings and interpretations of photographic images, building what in Merleau-Ponty's concepts would be a particular phenomenology of the visible.
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